Wednesday, January 12, 2011

Sage Publication Book used by Margith Strand/January 12, 2011

Saussure’s book
posthumously in 1915, suggests the possibility of semiotic analysis.
It deals with many of the concepts that can be applied to signs and
that are explicated in this chapter. Saussure (1915/1966) wrote, “The
linguistic sign unites not a thing and a name, but a concept and
a sound-image. . . . I call the combination of a concept and a soundimage
a
a sound-image” (pp. 66–67). His division of the sign into two components,
the signifier (or “sound-image”) and the signified or (“concept”),
and his suggestion that the relationship between signifier and
signified is arbitrary were of crucial importance for the development
of semiotics. Peirce, on the other hand, focused on three aspects of
signs: their iconic, indexical, and symbolic dimensions (see Table 1.1).
A Course in General Linguistics, first publishedsign, but in current usage the term generally designates only
4
——TECHNIQUES OF INTERPRETATION
Table 1.1
Three Aspects of Signs
Icon Index Symbol
Signify by Resemblance Causal connection Convention
Examples Pictures, statues Fire/smoke Flags
Process Can see Can figure out Must learn
From these two points of departure a movement was born, and
semiotic analysis spread all over the globe. Important work was done
in Prague and Russia early in the 20th century, and semiotics is now
well established in France and Italy (where Roland Barthes, Umberto
Eco, and many others have done important theoretical as well as
applied work). There are also outposts of progress in England, the
United States, and many other countries.
Semiotics has been applied, with interesting results, to film, theater,
medicine, architecture, zoology, and a host of other areas that involve or
are concerned with communication and the transfer of information. In
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fact, some semioticians, perhaps carried away, suggest that
everything
can be analyzed semiotically; they see semiotics as the queen of the
interpretive sciences, the key that unlocks the meanings of all things
great and small.
Peirce argued that interpreters have to supply part of the meanings
of signs. He wrote that a sign “is something which stands to somebody
for something in some respect or capacity” (quoted in Zeman, 1977,
p. 24). This is different from Saussure’s ideas about how signs function.
Peirce considered semiotics important because, as he put it, “this
universe is perfused with signs, if it is not composed exclusively of
signs.” Whatever we do can be seen as a message or, as Peirce would
put it, a sign. If everything in the universe is a sign, semiotics becomes
extremely important, if not all-important (a view that semioticians
support wholeheartedly).

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